{"id":93,"date":"2025-04-14T08:00:18","date_gmt":"2025-04-14T08:00:18","guid":{"rendered":"https:\/\/marcinpiotrlopacki.art\/?page_id=93"},"modified":"2025-04-18T10:27:03","modified_gmt":"2025-04-18T10:27:03","slug":"tworczosc","status":"publish","type":"page","link":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/","title":{"rendered":"KOMPOZYCJE"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 100. Die Stille \u2013 2 pie\u015bni do s\u0142\u00f3w Rainera Marii Rilkego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 99. Pygmalia \u2013 opera w dw\u00f3ich aktach do libretta Przemys\u0142awa Szkodzi\u0144skiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 98. No Jak Pan Jezus Powiedzia\u0142 \u2013&nbsp;kantata na kwartet wokalny a cappella do s\u0142\u00f3w Jana Paw\u0142a II<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 97. Trio-Sonata&nbsp;&nbsp;na organy solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 96. Duo-Sonata na akordeon solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 95. Syntagma \u2013&nbsp;kantata anagramowa do s\u0142\u00f3w kompozytora<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 94. Dixit Autem Saul&nbsp;na ch\u00f3r mieszany a&nbsp;cappella<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 93. Trzy Motety z Genesis na ch\u00f3r mieszany a cappella&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 92. Lament Adama \u2013 pie\u015b\u0144&nbsp;do s\u0142\u00f3w Micha\u0142a Janickiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 91. Covid Xmas&nbsp;na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 90. Hojna Alpaka Rusi \u2013&nbsp;kompozycja audiosceniczna dla aktora\/aktorki solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 89. Uwa\u017caj! \u2013&nbsp;2 pie\u015bni na g\u0142os \u015bredni do s\u0142\u00f3w zaczerpni\u0119tych z kampanii spo\u0142ecznych<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 88. Crash \u2013 scrabble-monoopera&nbsp;w jednym akcie do libretta kompozytora<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 87. Hidden Message&nbsp;na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 86. Breaking Fugues&nbsp;na ch\u00f3r mieszany&nbsp;cappella&nbsp;do s\u0142\u00f3w zaczerpni\u0119tych z medi\u00f3w g\u0142\u00f3wnego nurtu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 85. Akson \u2013 scrabble-opera&nbsp;w jednym akcie do libretta kompozytora<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 84. Crowd&nbsp;na ch\u00f3r mieszany&nbsp;13&nbsp;instrument\u00f3w smyczkowych<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 83. PoTuCe\u010cy\u0106iKa&nbsp;na zesp\u00f3\u0142 wokalny i perkusj\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 82. Orphan \u2013 scrabble-monoopera w jednym akcie do libretta kompozytora&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 81. Nokte&nbsp;na orkiestr\u0119 smyczkow\u0105<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 80. Perpendicular Universes&nbsp;na klarnet, wiolonczel\u0119 i fortepian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 79. Liebende Lieder von Goethe II \u2013 4&nbsp;pie\u015bni na sopran i fortepian do s\u0142\u00f3w&nbsp;Johanna Wolfganga Goethego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 78. Liebende Lieder von Geothe I \u2013 4 pie\u015bni na sopran i fortepian do s\u0142\u00f3w Johanna Wolfganga Goethego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 77.&nbsp;Sze\u015b\u0107 Utwor\u00f3w na Trzech D\u017awi\u0119kach na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 76. Aeolian Concerto&nbsp;na fortepian i 15 instrument\u00f3w smyczkowych<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 75. Logos&nbsp;na 6 instrument\u00f3w<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 74. Musica Concertante&nbsp;na fortepian i 7 instrument\u00f3w<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 73. Hoc Est Praeceptum Meum&nbsp;na&nbsp;ch\u00f3r mieszany a cappella<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 72. Quatuor pour le Chagement du Temps&nbsp;na skrzypce, klarnet, wiolonczel\u0119 i fortepian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 71. Muzyka na Flet, Ob\u00f3j i Gitar\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 70. Ataxia na 2 dowolne instrumenty d\u0119te lub smyczkowe&nbsp;i komputer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 69. D\u0142o\u0144&nbsp;na zesp\u00f3\u0142&nbsp;wokalny do s\u0142\u00f3w Wis\u0142awy&nbsp;Szymborskiej<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 68. Clacc!&nbsp;na klarnet i akordeon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 67. Disagreement&nbsp;na kot\u0142y<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 66. Monodia&nbsp;na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 65. Annihilation fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 64. Music of Audience \u2013&nbsp;instalacja na komputer, mikrofony i publiczno\u015b\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 63. Vier Rilke Lieder \u2013 4 pie\u015bni na g\u0142os \u015bredni i fortepian do s\u0142\u00f3w&nbsp; Rainera Marii&nbsp;Rilkego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 62. Cztery Utwory na Pi\u0119ciu D\u017awi\u0119kach&nbsp;na fortepian&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 61. W\u0105 &#8211;&nbsp;opera kameralna w jednym akcie do libretta&nbsp;Mirona Bia\u0142oszewskiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 60. Ksi\u0119\u017cyc \u015awieci &#8211; pie\u015b\u0144 na g\u0142os \u015bredni i kwartet smyczkowy do s\u0142\u00f3w Tadeusza R\u00f3\u017cewicza<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 59. Ptaszek \u2013&nbsp;pie\u015b\u0144&nbsp;na g\u0142os \u015bredni i fortepian do s\u0142\u00f3w&nbsp;Tadeusza R\u00f3\u017cewicza<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 58.&nbsp;Minimal&nbsp;Toolbox \u2013 instalacja na komputer i u\u017cytkownika<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 57. Tweet&nbsp;na komputer solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 56.&nbsp;Nie&nbsp;B\u00f3jcie&nbsp;Si\u0119 na ch\u00f3r mieszany a cappella&nbsp;do s\u0142\u00f3w&nbsp;Brunona Jasie\u0144skiego&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 55. Kompozycja Algorytmiczna nr&nbsp;3&nbsp;na komputer solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 54. Zbere\u017anicy ze Zbara\u017ca na ch\u00f3r mieszany a cappella&nbsp;do s\u0142\u00f3w&nbsp;Stanis\u0142awa Bara\u0144czaka&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 54. Kompozycja Algorytmiczna nr&nbsp;2&nbsp;na komputer solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 53. The First Chapter&nbsp;na aktora i orkiestr\u0119 smyczkow\u0105 do s\u0142\u00f3w z Ksi\u0119gi Rodzaju<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 51. D-mention&nbsp;na wiolonczel\u0119 i fortepian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 50. Fraszki \u2013&nbsp;Kantata na ch\u00f3r mieszany i orkiestr\u0119 do s\u0142\u00f3w&nbsp;Jana Kochanowskiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 49. Klavierst\u00fcck&nbsp;na fortepian&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 48. Sonata&nbsp;na klarnet&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 47. Moskwa&nbsp;na&nbsp;8 instrument\u00f3w na podstawie wiersza Stanis\u0142awa M\u0142odo\u017ce\u0144ca<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 46.&nbsp;Spalone Listy&nbsp;na ta\u015bm\u0119&nbsp;do s\u0142\u00f3w Johanna Wolfganga Goethego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 45.&nbsp;Kwartet Smyczkowy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 44. Pantofelek na ch\u00f3r mieszany cappella do s\u0142\u00f3w Andrzeja Bursy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 43. Episode&nbsp;na orkiestr\u0119 kameraln\u0105<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 42. Puzzle \u2013 instalacja na&nbsp;komputer&nbsp;i u\u017cytkownika<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 41. Variant&nbsp;na fortepian i&nbsp;pianol\u0119&nbsp;sterowan\u0105 komputerowo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 40. imPuls na pianol\u0119 sterowan\u0105 komputerowo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 39. Engram&nbsp;na klawesyn&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 38. Aforyzmy na fortepian&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 37. Pigu\u0142ki&nbsp;na klarnet&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 36.&nbsp;Kompozycja Algorytmiczna&nbsp;nr&nbsp;1&nbsp;na komputer&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 35. Czy Tw\u00f3j Ojciec&#8230; &#8230;Pali Fajk\u0119?&nbsp;na ch\u00f3r mieszany&nbsp;cappella&nbsp;do s\u0142\u00f3w&nbsp;Andrzeja Bursy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 34. \u015alusarz&nbsp;na aktora i orkiestr\u0119&nbsp;kameraln\u0105&nbsp;do s\u0142\u00f3w Juliana Tuwima<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 33. Cotton Variation&nbsp;na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 32. One Minute&nbsp;na klarnet i fortepian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 31. Folio V &#8211; partytura graficzna na dowolny instrument solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 30. Fin de Si\u00e8cle na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 29. Ingenstans na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 28.&nbsp;My\u015bli Powracaj\u0105ce&nbsp;na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 27. Ying-Yang&nbsp;na fortepian, perkusj\u0119&nbsp;i 48 instrument\u00f3w smyczkowych<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 26b. Epitafium Rilkego &#8211; wersja na ch\u00f3r mieszany a cappella<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 26.&nbsp;Epitafium Rilkego na ch\u00f3r m\u0119ski&nbsp;a cappella<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 25. Repetitive Fractal&nbsp;na 5 perkusji<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 24. Folio IV &#8211; partytura graficzna na dowolny&nbsp;instrument&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 23. Santhara na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 22. Ecce Lignum Crucis&nbsp;na ch\u00f3r mieszany a cappella<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 21. Przezrocza \u2013 partytura graficzna na&nbsp;harf\u0119&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 20. 2&#8217;00&#8221; na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 19. Musica Concertante&nbsp;na&nbsp;akordeon, 9&nbsp;instrument\u00f3w d\u0119tych blaszanych&nbsp;i perkusj\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 18. Panthalassa na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 17. Kwint-Esencja&nbsp;na 2 fortepiany<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 16. 12&#8243;&nbsp;na orkiestr\u0119 kameraln\u0105<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 15. Monotoccata&nbsp;na fortepian preparowany<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 14. Gdyby Nawet Piec Zabrali&#8230; \u2013&nbsp;pie\u015b\u0144&nbsp;na sopran i fortepian do s\u0142\u00f3w Mirona Bia\u0142oszewskiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 13b.&nbsp;Fi&nbsp;na perkusj\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 13.&nbsp;Muzyka na Ta\u015bm\u0119 na 16 ta\u015bm klej\u0105cych<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 12. Fractal &#8211;&nbsp;partytura graficzna&nbsp;na ta\u015bm\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 11. M81&nbsp;na&nbsp;42 instrumenty smyczkowe<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 10. Trzy Pie\u015bni&nbsp;na sopran i fortepian do s\u0142\u00f3w Mirona Bia\u0142oszewskiego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 9. Trio Smyczkowe na skrzypce, alt\u00f3wk\u0119 i wiolonczel\u0119<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 8. Jak Dobrze&#8230; &#8211;&nbsp;pie\u015b\u0144 na g\u0142os \u015bredni, skrzypce, alt\u00f3wk\u0119 i wiolonczel\u0119&nbsp;do s\u0142\u00f3w&nbsp;Tadeusza R\u00f3\u017cewicza<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 7. Capriccio&nbsp;na skrzypce solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 6. Folio III \u2013 partytura graficzna na dowolny instrument smyczkowy solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 5. Folio II \u2013 partytura graficzna na dowolny instrument smyczkowy solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 4. Folio I \u2013 partytura graficzna na fortepian solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 3. Capriccio&nbsp;na alt\u00f3wk\u0119 solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 2. B-A-Si-A. Studium na fortepian&nbsp;solo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">op. 1.&nbsp;Trzy Miniatury na fortepian solo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>op. 100. Die Stille \u2013 2 pie\u015bni do s\u0142\u00f3w Rainera Marii Rilkego op. 99. Pygmalia \u2013 opera w dw\u00f3ich aktach do libretta Przemys\u0142awa Szkodzi\u0144skiego op. 98. No Jak Pan Jezus Powiedzia\u0142 \u2013&nbsp;kantata na kwartet wokalny a cappella do s\u0142\u00f3w Jana Paw\u0142a II op. 97. Trio-Sonata&nbsp;&nbsp;na organy solo op. 96. Duo-Sonata na akordeon solo op. 95. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-93","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>KOMPOZYCJE - Marcin Piotr \u0141opacki<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KOMPOZYCJE - Marcin Piotr \u0141opacki\" \/>\n<meta property=\"og:description\" content=\"op. 100. Die Stille \u2013 2 pie\u015bni do s\u0142\u00f3w Rainera Marii Rilkego op. 99. Pygmalia \u2013 opera w dw\u00f3ich aktach do libretta Przemys\u0142awa Szkodzi\u0144skiego op. 98. No Jak Pan Jezus Powiedzia\u0142 \u2013&nbsp;kantata na kwartet wokalny a cappella do s\u0142\u00f3w Jana Paw\u0142a II op. 97. Trio-Sonata&nbsp;&nbsp;na organy solo op. 96. Duo-Sonata na akordeon solo op. 95. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/\" \/>\n<meta property=\"og:site_name\" content=\"Marcin Piotr \u0141opacki\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-18T10:27:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"512\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/\",\"url\":\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/\",\"name\":\"KOMPOZYCJE - Marcin Piotr \u0141opacki\",\"isPartOf\":{\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#website\"},\"datePublished\":\"2025-04-14T08:00:18+00:00\",\"dateModified\":\"2025-04-18T10:27:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Strona g\u0142\u00f3wna\",\"item\":\"https:\/\/marcinpiotrlopacki.art\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"KOMPOZYCJE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#website\",\"url\":\"https:\/\/marcinpiotrlopacki.art\/\",\"name\":\"Marcin Piotr \u0141opacki, DMA\",\"description\":\"Official Website of Artist\",\"publisher\":{\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/1e81721d187daa85edca9ba503986661\"},\"alternateName\":\"\u0141opacki\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/marcinpiotrlopacki.art\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/1e81721d187daa85edca9ba503986661\",\"name\":\"admin9620\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg\",\"contentUrl\":\"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg\",\"width\":512,\"height\":512,\"caption\":\"admin9620\"},\"logo\":{\"@id\":\"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/image\/\"},\"sameAs\":[\"http:\/\/marcinpiotrlopacki.art\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"KOMPOZYCJE - Marcin Piotr \u0141opacki","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/","og_locale":"pl_PL","og_type":"article","og_title":"KOMPOZYCJE - Marcin Piotr \u0141opacki","og_description":"op. 100. Die Stille \u2013 2 pie\u015bni do s\u0142\u00f3w Rainera Marii Rilkego op. 99. Pygmalia \u2013 opera w dw\u00f3ich aktach do libretta Przemys\u0142awa Szkodzi\u0144skiego op. 98. No Jak Pan Jezus Powiedzia\u0142 \u2013&nbsp;kantata na kwartet wokalny a cappella do s\u0142\u00f3w Jana Paw\u0142a II op. 97. Trio-Sonata&nbsp;&nbsp;na organy solo op. 96. Duo-Sonata na akordeon solo op. 95. [&hellip;]","og_url":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/","og_site_name":"Marcin Piotr \u0141opacki","article_modified_time":"2025-04-18T10:27:03+00:00","og_image":[{"width":512,"height":512,"url":"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/","url":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/","name":"KOMPOZYCJE - Marcin Piotr \u0141opacki","isPartOf":{"@id":"https:\/\/marcinpiotrlopacki.art\/#website"},"datePublished":"2025-04-14T08:00:18+00:00","dateModified":"2025-04-18T10:27:03+00:00","breadcrumb":{"@id":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/marcinpiotrlopacki.art\/index.php\/tworczosc\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Strona g\u0142\u00f3wna","item":"https:\/\/marcinpiotrlopacki.art\/"},{"@type":"ListItem","position":2,"name":"KOMPOZYCJE"}]},{"@type":"WebSite","@id":"https:\/\/marcinpiotrlopacki.art\/#website","url":"https:\/\/marcinpiotrlopacki.art\/","name":"Marcin Piotr \u0141opacki, DMA","description":"Official Website of Artist","publisher":{"@id":"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/1e81721d187daa85edca9ba503986661"},"alternateName":"\u0141opacki","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/marcinpiotrlopacki.art\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":["Person","Organization"],"@id":"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/1e81721d187daa85edca9ba503986661","name":"admin9620","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/image\/","url":"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg","contentUrl":"https:\/\/marcinpiotrlopacki.art\/wp-content\/uploads\/2025\/04\/cropped-278811497_5279757888754842_1653578214236489045_n.jpg","width":512,"height":512,"caption":"admin9620"},"logo":{"@id":"https:\/\/marcinpiotrlopacki.art\/#\/schema\/person\/image\/"},"sameAs":["http:\/\/marcinpiotrlopacki.art"]}]}},"_links":{"self":[{"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/pages\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":5,"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/pages\/93\/revisions"}],"predecessor-version":[{"id":367,"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/pages\/93\/revisions\/367"}],"wp:attachment":[{"href":"https:\/\/marcinpiotrlopacki.art\/index.php\/wp-json\/wp\/v2\/media?parent=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}